Friday, June 8, 2012

Third Class


Get your indie pop funk on this summer with Third Class, a trio originating from Ohio in 1999. The group just raised $2,000 from local businesses, fans, and friends in Ohio/Pennsylvania in order to make their newest EP, “12 and 9” free to the public.

Lee Boyle (lead vocals, keyboard, 2-string guitar), speaks to the meaning of the EP’s title: “The title "12 And 9" comes from reminiscing about childhood, as in the ages of 12 and 9.  The title track is a love song which deals heavily with feeling doomed as a child who realizes his or her homosexuality and feels like an outcast.  "When I was 12 and you were 9, I never thought I'd look behind and say that I was satisfied with my own life, after all" is a line in the song that states relief in surviving social stigmas, growing up, and living life happily. This ties in with the other 5 songs on the EP as an overall theme of dream fulfillment and childhood.  Many of the lyrics are, in one way or another, about coming of age and looking back on life.”
Support them on tour this summer follow them on Facebook for the latest updates!

*July 20
Donkey Coffee ($3/All Ages)
17 1/2 W Washington St
Athens, Ohio 45701
8 pm

*July 21
The Empty Glass ($7/21+)
(w/ Hardluck Heroes)
410 Elizabeth St
Charleston, West Virginia 25311
10:30 pm

*July 22
New Visions Studio & Gallery ($5/All Ages)
(w/ Small Town Rebellion, Warning
Level, Those Clever Foxes)
201 Vine St
Scranton, Pennsylvania 18503
8 pm

*July 23
Hebe Music ($5/All Ages/BYOB)
(w/ Saltwater Disco)
4 Mill St
Mount Holly, New Jersey 08060
6 pm

*July 24
The Trash Bar ($7/21+)
(w/ Inky Jack, Young & New)
256 Grand St
Brooklyn, New York 11211
8 pm

*July 25
Flask Lounge (Free/21+)
(w/ Rural Ghosts)
117 Spring St
Portland, Maine 04101
9 pm

*July 26
Goodbye Blue Monday (Free/All Ages)
1087 Broadway
Brooklyn, New York 11221
10 pm

*July 27 (
tickets)
The Room ($10/All Ages)
(w/ The Moms)
3 Production Dr (Unit #3)
Brookfield, Connecticut 06804
6 pm

*July 28
Chapala Blue Beetle ($6/18+)
(w/ Lauren Young)
15530-B Old Columbia Pike
Burtonsville, Maryland 20866
8 pm



Alexis Canary
AlexisCanary@WeAreMonsterEnt.com

Monday, June 4, 2012

Siddiqah EP; Andrew Lipke



If you're looking to spice up your iTunes, give Andrew Lipke a good listen (The following video speaks for itself). Born in South Africa, Lipke has found much success as an artist, producer, songwriter and entertainer in the Philadelphia music scene. The interview to follow sheds light on his new EP, Siddiqah, and Lipke's musical inspirations. 




How did you come to title the EP “Siddiqah”?
The piece "Siddiqah" - which is the majority of the EP - is based on a tragic story I read about in the NY times. A young man in Afghanistan was in love with a young woman. He was already in an unhappy arranged marriage and she was about to be forced into one. So they decided to elope. After they had left their village and taken up with some relatives in a not too distant town they were subsequently contacted by their hometown families, urging them to return home...promising that the young man - Khayyam - could take on his love as his second wife. Although not interested in sharing a marriage, the two were ultimately convinced to return to their village. But it was a trap, and the Taliban grabbed the couple out of their homes the evening they returned and placed them in front of the men of the community the following day so they could renounce their love and admit their sin. The couple refused to denounce their love for each other and were then stoned to death. First the young, 19 year old, woman, and then the man. The woman's name was Siddiqah. Hence the title of the piece, and the title of the EP. 

The two-track EP has two very different sounds- what was the inspiration behind it? Have you recorded anything similar to this before?

The inspiration for the first and more substantial piece on the EP I related in the last answer. The story seemed so operatic, so like something from a Shakespeare tragedy or tragic opera, yet was heartbreakingly true. And I'm continually frustrated by the needless hatred and violence fueled by religious dogma so it spoke very directly to the core of what drives much of my artistic inspiration. 

The second song on the record - Passing By - was a song I wrote many years ago and never got around to recording...and I had played at a few shows recently and many people seemed to connect with the words and images in the song. So I decided I wanted to record a definitive version of it and figured it might serve to balance Siddiqah as a listening experience. 

Siddiqah is by far the most ambitious recording I have made in regards to sheer number of instruments and tracks, so in that way I suppose it is the first of it's kind for me. 

What was the writing and recording process like for all the string and brass instruments on this EP?

I arranged all the instrumental parts for Siddiqah as if I had unlimited resources at my disposal - as I do most things I orchestrate or compose with pencil and paper - and then set out to try and figure out a way to realize what I had written.  It is more often than not that the latter takes quite a bit more time than the former. I tracked the strings as a quartet and then had them play the parts multiple times to build what is essentially a string section of about 20-25 players at its fullest, and a simple quartet when needed. The horns were tracked together; again multiple times from multiple positions in the room, and the trumpet, trombone parts were performed by one person, overdubbing each part. The tuba part was performed by the same person who played the trombone parts, Steven Duffy. And then there were many hours of editing and mixing. 

What was the experience like?
Exhilarating, frustrating, painstaking, slow, rewarding. It was like most worthwhile things I guess. 

What is your favorite instrument to write for? To record?

I really think more of ensembles than instruments when it comes to the more traditional sense of writing or composing. I love collaborating when in a rock band setting, and throwing things at different members of the group to get their thoughts and ideas, and hitting upon that sound that everyone is excited by. But when I'm working by myself with pencil and paper I'm much more focused on the relationship of each instrument to the others, to the ensemble as a whole, and to the meaning of the music should it be connected to a narrative - as was the case with Siddiqah and is so with much of what I write. In that regard my favorite ensemble to write for at present is the string quartet. Granted this might be because I have access to amazing string players who enjoy playing my music and four players is a lot easier - although not easy - to assemble than a 30 piece orchestra. But it is also an amazing representation of what is possible in music and there is such a wealth of possible interaction and gorgeous sonorities that I can't imagine I will ever tire of writing for string quartet...even if I have an orchestra at my disposal one day (fingers crossed!)

Can your fans expect more of this sound from you in the future?

Yes!  I am more and more drawn to longer, larger, through-form compositions that blur the line between song and something else. Much like my last release "The Plague", "Siddiqah" is another example of an attempt to combine the aspects of long form, large ensemble, classical music that I love - Mahler, Wagner - with the immediacy, vibrancy, and youthful energy of pop music. I see this as something I will work on for many years. There will undoubtedly be tangents and other non-related creative endeavors, but there will most certainly be more similarly ambitious attempts as Siddiqah in the future. Whether they will be successful or not is a whole other question!

How do you feel your music has changed since your first solo album, Ghosts, in 2005?

In some ways, not much at all and in other ways, drastically. It was while I recorded “Ghosts” on a little BOSS recording machine in my closet sized studio that I wrote my first two string quartets. So I was operating in both musical realms at that time but had not yet found the way to merge my two equally powerful muses into one. I feel with “Siddiqah” and “The Plague” I am just starting to figure out how to combine these two distinct voices into one that I can call my own.  Perhaps it's a bit late to be finding my voice in my early 30's, but that, I suppose, is the way things have turned out.


Connect, Follow, Listen:



Alexis Canary
AlexisCanary@WeAreMonsterEnt.com

Monday, May 28, 2012

The Mock Suns; Thoreau, chocolate and bbq's



How fun would it be to make a chocolate mold of your face? Well that’s exactly what the Mock Suns did to promote their debut album, Here Nor There. Check out our interview below with this trio right out of Philadelphia. They let us in on the meaning of their name, the recording of the new album and plans for the future. Hit up the links below to connect, listen and download.



How did you decide on the name, “Mock Suns”?
Steve: We were in our practice space one day coming up with all kinds of strange names and stumbled upon a Thoreau novel. We found a lot of great two word phrases and we felt that with the general motif and philosophical subject matter of the band that Mock Suns really fit well.

What does the phrase mean?
Tom: The illusion of more than one sun in the sky- we really dug the concept. We figured graphically, it would have a lot of potential in terms of posters, promotion for shows, etc.

How did the band come together?
Steve: We originally started out as Giant Mind which was a 5 piece. One of our former members Andy Hagerman knew Greg from home and we all went to college at Temple (Greg went to Tyler when it was off campus). Greg was looking for a band to not only back his individual recordings but to also move forward and write new material. Giant Mind definitely became more about our own new material than the original Greg Puglese stuff. After we lost two members of the band to Brooklyn we decided it might be worthwhile to see what we could do as a 3-piece, and well, here we are

Tom: All three of us really blended together pretty well in terms of creativity and continuity within the songs so we all wanted to keep playing music and really liked the idea of looping and exploring what we could do with a three piece.

Tell us about your marketing campaign for the new album? How has the fan feedback been?
Greg: Well, I think that in this era of internet media overload, it’s hard enough to get your friends to listen to an album, let alone attract new fans, so we really wanted to try to do something tangible and bizarre to promote the album. The biggest thing that we did was place about 250 advance copies of our album around the city. Some copies had special redemption codes on them that allowed you to log on to our website and claim a custom made chocolate face. Overall, the reaction to the campaign was very positive, a lot of people loved the album, and if they didn’t, they enjoyed the candy. We want to continue to do more interesting, guerilla advertising like this, as it’s proven to be our most effective approach to standing out from the crowd and promoting the band.

Steve: Greg came up with a fantastic idea of making the chocolate faces into different flavors like Chocolate Tom Tom, Cookies and Steve and of course his signature brand Dulce de Greg. We've had some success with it I think. We've definitely have taken steps in the right direction now we can only hope to push forward with it.

Tom: They seemed to really enjoy it. One person said that the faces were and I quote "Much larger then [she] expected and the best chocolate [she] ever ate." It's been really cool, but kinda creepy with the idea of someone eating our faces. It's been also a nice theme to incorporate for the album. Also, a lot of respect for AKA records, who let us use their facility for people to come pick up the chocolate faces. By and large, the promotion has been awesome and the feedback has been all positive.


How was it crafting those chocolate faces?
Greg: The candy faces were a process to say the least... They were actually the last component in a bigger concept that we’d created for Mock Suns. We started out with the idea of taking photographs of plaster molds of our faces; we liked the idea of the photos being kind of like a twice-removed version of ourselves. Anyway, we had to use this stuff called alginate, (the stuff that dentists use to make molds of your teeth) and smear it all over our faces. Then we backed it with plaster strips, and made plaster casts from the alginate molds. Then, from the plaster casts, we made food-grade silicone molds. Making the chocolates in the silicone molds was a trial and error process, but we’ve pretty much got it down to a science at this point. We were told by one person that it was the best chocolate they’d ever had.

Tom: Cookies and Steve was by far the easiest to make because it was just crushing up oreos and melting the white chocolate, combining it and freezing it. That in mind, The "Greg's" and "Tom-Tom's" were tough because we had to pour the top mold, let that send, put the filling in the middle, let that freeze and set and then make the boxes for all of them. It was really fun though, seeing all of these faces take form.

When I first sat down to listen to your new album, within the first 30 seconds I thought: Pink Floyd and Fleet Foxes. Where would you say your influences come from on this album?
Greg: I am definitely a big fan of both of those bands. Songwriting-wise, I think my influences come from all over the place, but at the time of writing the album I was listening to a lot of Tame Impala, Grizzly Bear, The Beach Boys, Pink Floyd, etc.

Steve: Well we all come from drastically different influences, naturally we have a lot of common ground but I have been somewhat criticized by people for years (not by my band members) for loving reggae and I feel it is pretty evident that I love the genre in my bass playing. I'm also a closet R&B lover. Most of that music, I understand, is not of the highest quality lyrically. That being said I really enjoy many different styles of music. Anything from Medeski Martin and Wood to Peruvian Chicha, to Bon Iver.

Tom: I know that growing up, my musical interests were fairly different than Steve's and Greg's. I listened to bands like Tool, A Perfect Circle, etc. In college that expanded to a great degree, however, entering Giant Mind and eventually Mock Suns, Greg and Steve's musical styles definitely changed my style of drumming for the better. I don't know that we directly said "Hey, let's do this part to this part of the song to make it sound like this band." However, you can definitely hear bands we listen to as parts of the album. Case in point, I would say that the second half of "North Rim" certainly has a My Morning Jacket feel to it. Obviously, there are Beach Boys influences throughout. I think that as an album, the musical styles we have came through.



Here Nor There sounds much deeper than a trio. With it being the band’s debut full album release, what was the recording process like?
Greg: Actually for this album, we really wanted to simplify things. With Giant Mind, there was a lot of... overindulgence in our approach. We kind of had a no-holds barred, genre-less approach to every song. It gave me the urge to go back to the basics on things to some extent. It was a personal challenge for me to try to make music using a smaller set of tools and fewer band members. Although there is some double tracking happening on the album with guitars and vocals, there are very few parts that you’ll hear on the album that aren’t actually played live. I think we have a tendency to sound like a bigger band than we are at times because of our extensive use of looping and other live effects. The actual recording process was a blast; recording is probably my favorite thing to do. We did all of it ourselves, partially at our studio in Fishtown, and partially at my apartment in Fairmount. Mixed and mastered it all myself.

Tom: The recording process was intense to say the least. As far as drums are concerned, we ran into problems from the get go. Greg had transferred in between jobs and had about 7-10 days off so he and I decided to knock it out in that time period. However, once we had gotten the entire studio set up and were ready to put the mics up, we realized that his recording interface shit out. Long story short, we bumped out the drums in about 2 days. The kicker was that we were doing the recording in a studio in the middle of June and the studio doesn't have central air.. Needless to say, a lot of shirts were used, and we had to take a number of breaks throughout. The guitar, bass and vocals were done by Greg and Steve, independently over the course of a few months. That said, Greg is great to work with and it was a lot of fun. In between recording breaks, we played pool and a nice case of Hoegaarden certainly added to the experience. I'm incredibly pleased with the way things turned out on the album.

Steve: I believe I was the last person to put down my tracks and it wasn't for a lack of trying but we all have careers and it is obviously difficult to find the time. Outside of writing my individual parts and knowing the kind of tone and recorded sound I have to give all the credit to Greg. There wouldn't be Mock Suns without him!

What has been your venue to perform at so far? What’s your favorite venue to attend?
Greg: Johnny Brenda’s has probably been my favorite venue to perform at, as well as to see a show. I just love the size of it and the vibe of the whole place, can’t be beat for me. We also really love playing at Kung Fu Necktie, there always seems to be a great crowd there.

Steve: I deservedly get a lot of flack from the guys because I was pissing and moaning about 90 degree bottles of water given to us at Johnny Brenda’s but I absolutely loved playing there. They really take care of their musicians and the venue itself is incredible. I also don't know of any venue where you can get a 3 dollar pint of craft beer.

Tom: My favorite venue that we've played at as Mock Suns is definitely Kung Fu Necktie. It always draws a solid crowd and the sound is incredible. Also, for a three piece, the stage has plenty of space. My favorite venue to attend has to be Johnny Brenda's. There is always a built in crowd, the people treat you well there and the bands are always solid.

What are the plans for the rest of 2012?
Greg: Just trying to keep the momentum going. First and foremost, we are focusing on playing as many shows as we can and continuing to promote the album. We’ve got a live video shoot scheduled for June at a friend’s barn in Honey Brook, PA, which we’re pretty excited about.

Steve: We've got a good jump on our next record which will be somewhat of a departure/concept album. Plus we love taking the opportunity to grill out so more than likely we'll be BBQin'

Tom: Without giving too much away, the material we are writing is being done in a very unique style. As far as what lies ahead directly; we should be coming out with another video of us playing fairly soon (by July or August). We do also have plans to promote Here Nor There on a "mini-tour" so to speak. We are going to see what venues are like in the tri-state area and beyond. Stay tuned and keep checking the website!

Anything else you’d like to tell us?

Tom: By and large, I couldn't be happier with the album. Steve Greg and I spent a large amount of time dedicated to it and all the promotion as well, especially Greg. He did a great job mixing and mastering the album and we are starting to play shows on a more consistent basis now.

Steve: Come see our next show in Manyunk at the Grape on June 2nd and look out for us in nearby cities and suburbs in the near future; we'll be looking to broaden our horizons.



Links:
http://www.mocksuns.com
http://mocksuns.bandcamp.com
http://open.spotify.com/album/6rhbpe9Dv62aINiJLO65Ov
http://itunes.apple.com/us/artist/mock-suns/id510412754
http://soundcloud.com/mock-suns/sets/here-nor-the
http://www.amazon.com/gp/product/B007K7JEOO/ref=dm_sp_alb


Alexis Canary
alexis@wearemonsterent.com

Wednesday, May 16, 2012

PLEASE VOTE


JUST YOUR VOTE ALONE COULD CHEER THIS PUPPY UP!

MUSIC IS LIFE VIDEO PERFORMANCE CONTEST

Please VOTE by May 20 for Monster Entertainment artist MELISSA COX and help her win $1,000 and a Delaware school win $10k in band instruments!!! 


DIRECTIONS
1) Go to www.nemc.com/contests/vote
2) Scroll down to "Cox, Melissa." 
3) Click the yellow "VOTE" button. 
4) Repeat with every REAL valid email address you own! 
5) SHARE this with your friends on Facebook, Twitter, etc. 



Also, check out Melissa live at the 
Newark Natural Foods Farmer’s Market 
Sunday, May 20, 2012 @11:00am 
280 E Main St. 
Newark, DE 19711 
All Ages / Free!

Monday, May 14, 2012

Cotton Shirts

There's a new single available today from Monster Entertainment band Revolution, I Love You and it's called "Cotton Shirts." You can download it for FREE HERE. It’s a slow jam…sort of. Building from 808s, snap samples and a single-note piano melody to a dense, reverb-drenched climax, it draws equally from mid-90s R&B, James Blake, Massive Attack and M83. “Cotton Shirts” is Revolution, I Love You’s first release since their debut full-length album, “We Choose to Go to the Moon,” in September 2011.

Cotton Shirts

For those that don't know, Revolution, I Love You is an electro/indie rock duo based in Philadelphia, Pa. Origivation Magazine describes the band’s sound as “deconstructed pop music.” The band comprises Rob Lindgren (lead vocals/guitar/synth) and Jason Reynolds (vocals/guitar/keyboards). The new single was written and recorded in the living room of their Philadelphia home and mastered by Alan Douches (Sufjan Stevens/Ben Folds Five/Beirut) of West West Side Studios in New York.

Cotton Shirts

Also of note is the fact that the band will be touring the USA May 15 - June 3, opening for Belgian rock band Pandora’s Bliss (www.facebook.com/pandorasbliss). Check out the full list of upcoming dates below.

May 15, 2012 Arlene's Grocery New York, NY
May 17, 2012 Elm Bar New Haven, CT
May 18, 2012 HMAC Stage on Herr Harrisburg, PA
May 19, 2012 Elephants for Autism Music Festival Atlantic City, NJ
May 20, 2012 Elephants for Autism Music Festival Atlantic City, NJ
May 21, 2012 Elephant Talk-Indie Music Magazine/Radio Atlantic City, NJ
May 22, 2012 Roxy and Duke’s Dunellen, NJ
May 23, 2012 The Fire Philadelphia, PA (Cotton Shirts Release Show)
May 25, 2012 HMAC Stage on Herr Harrisburg, PA
May 26, 2012 The Record Collector Bordentown, NJ
May 30, 2012 The Evening Muse Charlotte, NC
May 31, 2012 The Hideaway Johnson City, TN
Jun 1, 2012 Darkroom Chicago, IL
Jun 16, 2012 The Legendary Dobbs Philadelphia, PA
Jul 28, 2012 World Cafe Live at the Queen Wilmington, DE
Aug 5, 2012 Musikfest Bethlehem, PA

A Great Day in Philly

"Here Nor There" Album Review


Hey Philly! We’re bringing you some new local jams today from Mock Suns. Alexis is sitting down with them this week for an interview so this is actually a precursor to her post you’ll get in the next couple of weeks!

Wow. I feel like I should be grabbing this on vinyl, throwing it on a record player, and just laying down and listening to this journey of an album. This was my first time ever hearing Mock Suns and this album definitely won me over as a supporter. First off, the cover certainly nailed the album vibe. "Here Nor There" feels like the kind of music you’d want to experience somewhere out in an open forest. The 60s psychedelic influences, offbeat rhythms, and floating harmonies travelling throughout the tracks make you feel like you’re going on quite the nature trip.

The opening title track hits you right off the bat with the 60s rock influence with the haunting vocals and echoing, same with the harmonies in the second track An Admirable Hue. The way the vocals are matched up with the offbeat rhythms and grungy guitars definitely give you that raw rock music feel. The way that they pair off that psychedelic rock with harder accents like the arena-style guitar and drums in Fervor and Brilliant Colors is just crazy, they blend it so well. I think the most interesting track to me is the final one, Down. It’s definitely the most different. Between the spiraling and chilling beat pounding in the background, the haunting lyrics, and the floating melodies of the vocals, the whole song is just so weirdly epic. This is the kind of song you hear on an album and think ‘wow, I need to see that played out live’.

This is definitely an album that you wouldn’t be able to classify as any genre since the styles range all over—60s psychedelic, arena-style, grunge, and even throwing in jazz influence here in there. Mock Suns definitely brought us a trip worth taking if you’re into hearing something a little different, which I am always down for. But don't sit here and listen to me go on, take the trip for yourself!

Listen or Download:
http://www.mocksuns.com
http://mocksuns.bandcamp.com
http://open.spotify.com/album/6rhbpe9Dv62aINiJLO65Ov
http://itunes.apple.com/us/artist/mock-suns/id510412754
http://soundcloud.com/mock-suns/sets/here-nor-the
http://www.amazon.com/gp/product/B007K7JEOO/ref=dm_sp_alb

Lauren Resnick
Monster Entertainment LLC
lauren@wearemonsterent.com
www.wearemonsterent.com

Monday, May 7, 2012

Rodger Delany "Moment of Truth" Release Show 5/12


Attention! Here's a moment of truth for the entire Delaware Valley. This Saturday, 5/12, New Jersey native Rodger Delany will be releasing his new all-acoustic CD "Moment of Truth" at an all-ages release show, hosted by 93.7 Hometown Heroes' Mark Rogers, over at World Cafe Live at The Queen Theater in Wilmington, Delaware. You may recognize Rodger from WSTW 93.7's Hometown Heroes where he's been nominated for Song of the Year for the past two years. This album is expected to follow in his past success with the simple folk rock style of smooth vocals paired with acoustic guitar or piano. Come check out the new album at 6pm and catch performances by him as well as The Better Half, Electric Blue Concept, Stallions, and Half Past Seven.

http://www.rodgerdelany.com/
https://www.facebook.com/rodgerdelany
http://www.youtube.com/rodgerdelany
http://www.reverbnation.com/main/signup?kick=443302
http://soundcloud.com/rodgerdelany

Lauren Resnick
Monster Entertainment LLC
lauren@wearemonsterent.com
www.wearemonsterent.com